Simultaneous Form

The interpenetration or co-existence of multiple forms has been a phenomenon that has always fascinated me. On first seeing cubist paintings as a teenager I was struck and disturbed by the magical way in which forms appeared to defy the accepted interpretations of space-time and I have always been inspired by this movement with its own particular attempt to break through pictorial convention. I must be only one of a host of artists who have felt the catapult effect that early 20th century movements created for those working afterwards and I am indebted to that combined legacy.